Comments on: REMIX: buy the remix https://archives.lessig.org/?p=3765 2002-2015 Sun, 12 Mar 2017 11:24:00 +0000 hourly 1 https://wordpress.org/?v=5.7.2 By: Pay CO https://archives.lessig.org/?p=3765#comment-28525 Sun, 12 Mar 2017 11:24:00 +0000 http://lessig.org/blog/2009/03/remix_buy_the_remix.html#comment-28525 very good
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By: vrizpmox https://archives.lessig.org/?p=3765#comment-28524 Fri, 18 Jan 2013 19:37:11 +0000 http://lessig.org/blog/2009/03/remix_buy_the_remix.html#comment-28524 In reply to Gunnar Helliesen.

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By: Devendra https://archives.lessig.org/?p=3765#comment-28519 Wed, 16 Jan 2013 12:47:56 +0000 http://lessig.org/blog/2009/03/remix_buy_the_remix.html#comment-28519 In reply to Matt Blick.

I am 22 years old and have normal skin. I get a few zits every once in awlihe but do not get bad breakouts often. My question is what are the best skin care products to be using? My family has great skin, so do I still need to be using expensive products? If so what type should I be using? If I don’t need expensive products what are some good over the counter products? I need information about cleansers, moisturizers, and anything else I should use. Thanks!

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By: Merle https://archives.lessig.org/?p=3765#comment-28518 Wed, 16 Jan 2013 12:18:56 +0000 http://lessig.org/blog/2009/03/remix_buy_the_remix.html#comment-28518 In reply to Gunnar Helliesen.

Yes that would be mostly ok, I would raelly use a face lotion however. Hand and body lotion can be just a bit too hard for the sensitive skin on your face. Also make sure your cleanser and moisturizer are of the same brand so they work with each other instead of against. When you rinse your face be sure to wipe off with a warm wash cloth and not just water, a simple rinse leaves a residue on your face that can clog your pores no matter what cleanser you use.

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By: sethpark https://archives.lessig.org/?p=3765#comment-28517 Sat, 11 Apr 2009 17:16:46 +0000 http://lessig.org/blog/2009/03/remix_buy_the_remix.html#comment-28517 there and back again.

this makes me think about the role of mashups in my life. i do a lot of mixing, myself. when i do mashups, i do them because i cant get all of the sounds to exist in real time. either i cannot find the right players or i cant find the time to write a real-time song.

there is significant digital consumer value for these mashups. But greater still is the desire for the same net effect to come from real people, real time.

i think mashups are like prototypes. when i build (for my day job) prototypes of information systems, i cobble together the desired user experience. mashups. then, when i sell my prototype, i have to figure out how to make it work in the real world, in real time.

i think mashups help us explore what we’d like to have, were we to have the time, resources, and motivation to do so. i dont think they compete with the real.

i mashup content from external sources and internal sources. i mashup my own work in ways that i could never reproduce real time… then i find people to play the parts. mashups is a design tool. for me, the initial concept is just the beginning point for communicating creative ideas to a broader group.. groups that play by ear… groups for whom a score would be meaningless.

but the ultimate goal of my mashups–be it information system interfaces or music–is to provide a prototype that i desire to realize…. in real time, with real people. something that could be a viable real solution.

if everybody thought of mashups as a prototype for reality, nobody would have a problem with it. the only problem is when people consume mashups as if they were the end product.

one day, we’ll understand how to design our value as modules in a library that can be employed as creatively as paints of various hues on a palate. then, our work would not be subject to infringement. we’d be materials suppliers rather than feeling like product suppliers whose value has been deprocessed and exploited.

every creative work is based on something else, if only inspiration. when orchestral composers adapt the ideas of others in their score, it’s called inspiration. when a mashup is created for the same purpose–to design and communicate creative thoughts–it’s called piracy. but if the mashup is not the finished good, there is no problem. the issue seems to arise when the mashup is not sufficiently abstracted, paraphrased.

it’s as if none seems to mind if you play the exact same notes; they seem to only mind when you use a recording of a person playing the notes you intend to use for inspiration. this seems fair to me. it’s the difference between idea and synthesis. nobody can own ideas, but everybody has the right to lay claim to their performance. there’s a big difference between “this is my idea” and “i did this”.

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By: Sumo https://archives.lessig.org/?p=3765#comment-28516 Fri, 03 Apr 2009 19:30:37 +0000 http://lessig.org/blog/2009/03/remix_buy_the_remix.html#comment-28516 Mr. Lessig, This remix is certainly demonstrative of the post modern trends that you identify in your book “Remix.” At the same time, I think your claim that this is the champion of remix culture that you describe is misleading To what degree might this remix withstand a fair use analysis? This funk remix is by no means confusable as a substitute for the original compositions and the sample usage is arguably difficult for a lay person to recognize. This type of remix is distinguishable from a mash up because it’s samples aren’t offered for recognition purposes. Indeed, this type of use is readily distinguishable from what Girltalk or Dangermouse produce. To what extent would this type of remix really need the deregulation of the fair use frame work you propose in Part Three of Remix? This is clearly the work of a skilled individual, amateur or professional, according to your frame work isn’t the line crossed when this type of work is effectively published on a service like youtube or promoted for mass distribution?

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