Comments on: the (c) office asks a brilliant question

By: Gavin Baker

Gavin Baker — Thu, 03 Feb 2005 17:40:58 +0000

The students at FreeCulture.org have created a Web site to encourage people to comment:

By: Rob Myers

Rob Myers — Thu, 03 Feb 2005 09:46:01 +0000

This statement is completely missing those he thinks he's trying to help. It is also opposed by independent artists who create content and don't built substantially (except perhaps fair use) on the works of others.

That's an interesting claim. Please substantiate it. Because I don't see how clarifying the status of orphan works from early in the last century years ago affects today's poor "independent artists" that you are trying to hide the content industry behind.

Musicians don't agree with your take on IP:

Musicians 'unconcerned' about file sharing

So you don't have to defend them. And this isn't just about music, it's about books and movies as well. But the RIAA have spewed the most propaganda around this, so you can ride their coat-tails if you like.

By: Orion

Orion — Tue, 01 Feb 2005 11:12:09 +0000

Exactly. What is the point in writting material that will never see the light of day. I am not simply saying that everything should be free. My work on OrionRobots is shared using the Creative Commons SA license - which means that if you are going to share equally any derived works, then fine - use my sources. But if you are out to capitalise on it I do expect to be contacted to negotiate remuneration or accreditation where applicable.

Copyright that extends past the creators lifetime really only serves corporations and consortiums, and gives no real benefit to the original creators or the public. It does not spurr innovation. I think it should expire on the day the creators will is enacted.

By: Andrew Boysen

Andrew Boysen — Sun, 30 Jan 2005 23:37:52 +0000

At first I was thinking that the copyright office probably wouldn't care to hear from me, because I have nothing that I care to protect, but then I realized that they would like to hear from me for exactly that reason. I wrote dozens of articles while in collge, and took about 10,000 pictures, which I shared in public folder for anyone from the college to use for whatever purpose they cared to (including several publications). I would much rather have my pictures and writings used and enjoyed that ignored, so I think I will take the time to write in. I encourage anyone else who has ever written anything or ever taken a picture to do the same.

By: Joseph Pietro Riolo

Joseph Pietro Riolo — Sun, 30 Jan 2005 10:22:08 +0000

The Copyright Office does not ask a brilliant
question. My feeling tells me that, given long
history of the office's collusion with the authors
and artists, this is the office's attempt to make
the court case Kahle v. Ashcroft moot or irrelevant
("Your Honor, the Copyright Office is currently
studying the problem. Please dismiss the case
for there is no reason to proceed"). Secondly,
this will make the future copyright term extensions
more acceptable (as noticed by Bill McGonigle).
If authors and artists want to extend term to life
plus 150 years, that will be no problem because
orphan works are already "taken care of".

To C.E. Petit,

Authors and artists have responsibility in keeping
the public informed of their claims in their works.
But, once they forsake their responsibility, they
deserve absolutely no sympathy from the public.
They don't have the right to keep their works
locked for a long, long, long time but yet, that
is what you apparently encourage. I call this as
"Tragedy of Copyright".

Joseph Pietro Riolo
<riolo@voicenet.com>

Public domain notice: I put all of my expressions in this
comment in the public domain.

By: blaze

blaze — Sat, 29 Jan 2005 18:43:35 +0000

Regarding the LATimes article Lessig mentioned:

"Clarifying the system, however, has been universally opposed by the content industry � Hollywood, book publishers and the like. It fears that any reform would weaken Congress' resolve to strongly protect intellectual property."

As for Google, yes, some clarity needs to come about whether or not what they do is fair use. It's obvious to 90% of all copyright lawyers that it is, except I guess the ones that see problems where none exist. There will be a case, and I bet you it doesn't even make it to a second appeal.

By: C.E. Petit

C.E. Petit — Sat, 29 Jan 2005 17:32:51 +0000

Be careful before pulling out the "preserve our cultural heritage" argument, as it doesn't reach the conclusion that so many seem to desire. The Copyright Act already authorizes mere preservation--"backup copy" for certain materials, as a single copy made for personal scholarly use, or under one of the library exceptions in � 108 (presuming, of course, that the preservation is being done by a "library"!). This is not the same thing as having the right to redistribute that preserved copy in the stream of commerce.

I encourage preservation. I discourage using "preservation" and claims of "cultural artifact" to justify uncompensated reuse of material. (I also discourage perpetual copyright, but that's for another time.)

By: Robotech_Master

Robotech_Master — Sat, 29 Jan 2005 14:36:18 +0000

Frankly, I don't really care about Mickey Mouse. Let Disney have him. But let's get the mouse out of the manger so that those parts of our cultural heritage that are slipping away can be preserved.

By: Bill McGonigle

Bill McGonigle — Sat, 29 Jan 2005 12:48:06 +0000

On the surface, this is a good thing. The abandoned works now still protected by 1998 act could conceivably be available again.

But you have to assume this is the complaint that Congresscritters receive most often about the Act. Having a mechanism to get around this problem removes a major objection to the continuing indefinite renewal of copyright on Mickey Mouse, et. al. Except for that pesky Article I thingamabob.

By: Max Lybbert

Max Lybbert — Fri, 28 Jan 2005 23:00:08 +0000

With the "life of the author" rule, it becomes really hard to figure out which works are public domain, and which are orphaned.