Rubin on Google

Tom Rubin is a very smart man. I don’t think I’ve disagreed with any copyright opinion of his, until now. The crucial passage (in my view) from his recent speech before the American Publishers, piling on to Google, was as follows:

Rather than delve into this arcane legal issue, what we really should be asking is whether it would be possible for Google to provide its Book Search service in a way that respects copyright. The answer to this question is: of course there is. How am I so sure? Well, because we at Microsoft are doing it. And not just Microsoft. We and others are working on search-driven projects that are proceeding with the express permission and support of copyright owners. And then there’s Google’s own Publisher Partner program, which makes book content available online only after obtaining the necessary authorization.

Let’s first put this quote in some context.

Google’s “Book Search service” aims to provide access to three kinds of published works: (1) works in the public domain, (2) works in copyright and in print, and (3) works in copyright but no longer in print. As some of you may recall from the presentation I made a while ago, about 16% of books are in category (1); 9% of books are in category (2), and 75% of books are in category (3).

With respect to categories (1) and (2), Google is “respect[ing] copyright” just as “we at Microsoft are doing it.” With respect to category (1), that “respect” means no permission needed. With respect to (2), that means deals with the publishers whose works are made available — deals which give enhanced access over the default “snippet access.”

So that leaves category (3) — the 75% of works presumptively under copyright, but no longer in print. How do you “respect” copyright with respect to those works?

Well, Microsoft “respects” these copyright holders by not providing any access to their works. Google “respects” these copyright holders by providing “snippet access” — just enough to see a sentence or two around the words you’re searching for, and then links to actually get the book (either at a library, or from a book seller).

This may just be my own vanity, but I suspect that more copyright holders of books no longer in print would like Google’s kind of respect over Microsoft’s. But in any case, it is not true to say that Google could have provided “its Book Search service” in the way that “we at Microsoft are doing it.” If asking first is always required, then because of the insanely inefficient system of property that we call copyright — inefficient again because the government has designed it so that there’s no simple way to know who owns what, the very essence of a property system — 75% of books could not be within a digital view of our past.

Posted in bad code | 13 Comments

Oort-Cloud inspires

As reported on Boing Boing, Oort-Cloud is “is a new “social publishing” experiment for science fiction.” Late last month, hafoc donated a character, Lance Steele, to the community (and world using a …).

I’m told by Paul Hartzog that the one hole in the Oort-Cloud genius (licensing) will be fixed in the summer.

Posted in Uncategorized | Leave a comment

from the directives-from-cc department

To anyone at SXSW, a message from CC:

CHALLENGE
We challenge you, our community, to raise $6000 for Creative Commons by subscribing to GOOD Magazine and having a drink with us at the famed South by Southwest (SXSW) conference in Austin, TX. All it takes is for 200 people over the next 2 weeks to subscribe to GOOD. No, my math skills are not wrong. If you subscribe in the next 2 weeks your $20 bucks will be generously matched by Six Apart for up to $2000. So you won’t just raise $4000 for CC but $6000.

DETAILS
Since July 2006, Creative Commons has been one of the 12 non-profits benefitting from the Choose GOOD campaign. GOOD magazine was started by some innovative people who have taken a non-traditional approach to promoting their magazine – and have experienced unbelievable success. The folks at GOOD have been traveling around the nation hosting parties and more importantly raising money and awareness for the non-profits that they support.

Over the past 7 months they have sold 11,899 subscriptions generating over $200,000 which in turn is gifted to 12 non-profits that are doing new, innovative, and great things. CC is one of them and since July GOOD has raised over $11,000 for us!

We need your help to make GOOD Magazine’s SXSW party honoring Creative Commons the most successful party they’ve hosted to date. Cover charge is the $20 subscription fee and we strongly suggest emailing your rsvp to [email protected]

If you want to help support CC and attend one of GOOD’s infamous parties but do not reside in the Austin, TX area don’t worry – your subscription fee gets you into any of the upcoming GOOD parties. And yes all parties are open bar.

By subscribing to this awesome new magazine you gain entrance to the biggest GOOD/SXSW party to date and you’re helping us raise $6000 for CC. That money will support what we continue to do best – enable a participatory culture.

SXSW GOOD Party details:
with Special Guest Joi Ito, CC Chairman
VJ Phi Phenomenon
DJ Filip Turbotito
Ima Robot
ex Junio Senior

Monday March 12th
Uncle Flirty’s
325 E. Sixth St. (on corner of Trinity and Sixth)
Austin, TX

This Event is for GOOD subscribers only

Posted in creative commons | 1 Comment

Carl’s missive to C-Span

Following up on the earlier announcement, Carl Malamud has posted his letter to C-Span’s CEO, Brian Lamb.

Posted in free culture | 9 Comments

FreeCulture.org works to free music for the OLPC kids

The ever inspiring students at freeculture.org have launched a project to collect free music that can be included on the One Laptop Per Child (OLPC) machine.

Posted in free culture | 1 Comment

A CC recording — in 24 hours, and for charity

Jono Bacon intends to record an album in 24 hours on March 30 and 31st, license it under CC, and give the pledged proceeds to charity. He’s passed the £1000 mark, aiming for double that.

Posted in creative commons | Leave a comment

Intern at CC

Creative Commons is still accepting applications for summer interns. If you’re interested, check it out here.

Posted in creative commons | 5 Comments

Another really important announcement: this one by Carl

You may have been reading about the recent spat involving C-Span and Speaker Pelosi over copyright and the Congressional Record. Well, longtime champion of many things great — Carl Malamud — has been building a bit of a hack to deal with at least part of the problem.

As he explains, video of Congress engaged in its official business comes in three flavors:

“1. the floor proceedings, which uses government cameras and
everybody (including c-span) pretty much allows folks to grab.

2. hearings that c-span does, which they tightly defend copyright on.

3. the stuff the committees puts directly on the web.”

Many of us believe that if C-Span wants to exercise control over the stuff it films — as it has in many documentaries I have helped with — then it’s time we find someone else to build a Congressional Record that “the people” can use.

Carl has been building a hack to do just that. As (1) has pretty much taken care of itself, and (2) requires Congress giving access to hearings to entities that won’t leverage that access into control (not likely anytime soon), he’s focused on (3). The current problem with (3) is that the content (filmed using government cameras, just as with (1)) is offered sometimes “live only,” and otherwise in a streaming format only. Carl has built some tools for “ripping all congressional streams starting with the house and posting them in a nonproprietary format for download, tagging, review, and annotation at Google Video and another copy at the Internet Archive.”

Read more at Boing Boing.

But all this raises a much more fundamental question.

As more and more “notice and take-downs” get directed at people doing political remixes of candidates and their speeches, it’s time for a candidate to take the lead to assure that the web can be used for politics (without the mess of copyright). What about a pledge not to appear on a program that won’t promise not to prosecute people who do remixes (as opposed to simply distributing the whole show)? (That’s three negatives in one sentence — go slowly.)

Let’s see who is really for (and who has the courage to support) freeing political speech.

Posted in free culture | 8 Comments

Two friends of CC — updated

an-inconvenient-truth-702835.jpg DasLeben.jpg

Two friends of Creative Commons have been nominated for won an Oscar: Board member Davis Guggenheim‘s documentary “An Inconvenient Truth,” and Florian Henckel von Donnersmarck (husband of Christiane Henckel von Donnersmarck, original director of Creative Commons International)’s film, The Lives of Others.

Friends are to inspire. And so they have.

Posted in Uncategorized | 9 Comments

Wow

In the old days, we used to call this “preserving the end-to-end character of the Internet.” Then Tim Wu renamed the debate “network neutrality.” And now media as cool as this:

Save the Internet | Rock the Vote

Found at foureyedmonsters.com. Pointed to it by B. Andy (thanks!).

Posted in NetNeutrality | 12 Comments