Back to Blog – Who Controls the Internet?

Most happy to be here. Mostly, but not entirely, I’ll talk this week about Who Controls the Internet. If you’ve already read the book, I’d love to hear any comments or feedback. The book can be purchased here or at most online or physical bookstores.

Let me introduce the book first. The book is mostly a history of the last ten years of nation-states & the internet. It is an effort to tell the story of the struggle of governments to control the net, and to understand the role played by geography, culture, and physical force in shaping what the network is becoming.

The book chronicles a rise in the use of state power to try to control network conduct. That’s bookended by the Elred v. Reno case on one side, and ends with Yahoo & Google’ capitulation to Chinese demands over the last few years. Along the way, it chronicles slow changes in the architecture of the network driven by local culture and government obsessions, with chapters on Copyright, ICANN, eBay, China, Int’l Law and others.

We have worked hard to make this a story accessible to many readers. Of course many of the readers of this blog are experts in one or another of the topics in the book. But even then, what we’ve tried to do is putting the last 10 years together, and put them in some perspective.

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GuestBlog: this week’s guest – Tim Wu

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I’m happy to announce that Tim Wu, one of the authors of a new and related book, Who Controls the Internet?, will guest blog (again) this week. This is also the last week of class at Stanford, so I’ll be back in a real sense next week.

The book is a great extension and critical development of some of Code-related ideas. It has an especially terrifying and extensive discussion of control in China, and is beautifully and simply written (with pictures, too!) Another must read for those in this space.

Welcome back, Tim.

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from Harvard Free Culture: Dare. To Share. With Us.

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Their text (borrowed):

Harvard Free Culture presents Sharing is Daring, a showcase of new & derivative artworks released under flexible licenses that allow for sharing & remixing. The exhibition will feature a range of graphic, photography, video, and multimedia works by: ~ Abram Stern ~ Matt Vance ~ Elton Lovelace ~ Brian Zbriger ~ Suburban Kids with Biblical Names ~ Shanying Cui ~ Ben Sisto ~ Tim Jacques ~ Rebecca Rojer ~ Greg Perkins ~ Ryan Sciaino ~ David Meme ~ Matt Boch & Claire Chanel ~Selections from the 100 Second Film Festival ~

Opening night is Thurs., Apr. 27, 2006 at 8pm at the Adams Artspac, Harvard University, Plympton at Bow St., Cambridge, MA. (map)

Food and drink will be served.

The show will run from April 27 – May 6. For more information, go to SharingIsDaring or contact here.

About Harvard Free Culture

Harvard Free Culture is a student group dedicated to promoting cultural participation and open intellectual property policy in the digital age. It seeks to reach out to artists, creators, technologists, and policymakers alike to address these issues and promote access to culture and knowledge. More information is available at Harvard Free Culture.

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Benkler’s book is out

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Yochai Benkler’s book, The Weath of Networks, is out. This is — by far — the most important and powerful book written in the fields that matter most to me in the last ten years. If there is one book you read this year, it should be this. The book has a wiki; it can be downloaded as a pdf for free under a Creative Commons license; or it can be bought at places like Amazon.

Read it. Understand it. You are not serious about these issues — on either side of these debates — unless you have read this book.

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Design a cover for a CC thesis

Mathias Klang from the fantastically cool freculture country of Sweden (see my favorite, atmo.se, and very interesting (though you know my ambivalence about this word), Piracy Party) is publishing his PhD dissertation on Disruptive Technologies. He needs a cover design. So he’s running a competition. If you’re talented (or maybe even not!) and would like to help a PhD (which will be published under a Creative Commons Attribution-Noncommercial license), check out the competition here.

Posted in creative commons | 5 Comments

iCommons and the iSummit

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You know about Creative Commons, and Creative Commons licenses. Key to the CC strategy was to port Creative Commons licenses into jurisictions across the world. More than 30 countries have now launched CC licenses; another fifty in the works. As of the launch of Malta last week, this is CC world:

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The green countries have already launched. The yellow countries will launch in the next six months. And the red countries are still, well, red.

This project of porting CC licenses we originally called the “iCommons Project.” But last year, we renamed the project Creative Commons International. iCommons became its own (UK-based) non-profit. In June of last year, we held the first iCommons Summit in Boston. In June of this year (23-25) we’ll hold the second — in Rio.

The aim of iCommons reaches far beyond the infrastructure that CC is building. The aim of the iSummit is to bring together a wide range of people in addition the CC crowd – including Wikipedians, Free Software sorts, the Free Culture kids, A2K heroes, Open Access advocates, and others — to “to inspire and learn from one another and establish closer working relationships around a set of incubator projects.” iCommons has a separate board from Creative Commons — Joi Ito is its chair — and its ultimate mission (in addition to this annual moveable feast of commons conversation) will be determined by the conversation that will continue in Rio.

The event will be extraordinary. Gilberto Gil will perform. Jimmy Wales will inspire. Joi Ito will direct. The only thing I can promise about me is that this year, I won’t be thrown into the pool.

So come. Or if you can’t, help others come by donating to the scholarship fund, or at least put our ‘donate button‘ on your website.

Posted in creative commons | 4 Comments

Who Owns Culture? at one

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So last year today was the event at the NYPL with Jeff Tweedy. In my continuing effort to tinker with podcasting like technology, I’ve synchronized the slides with the audio from that event. The file is available as a torrent.

(How to use a torrent)

Also available on:

YouAre.TV: Who Owns Culture?

(Very cool re YouAre.TV: Built in CC licensing in the upload engine).

Google Video: Who Owns Culture?

YouTube.Com rejected the video — too long.

Posted in free culture | 59 Comments

Lost in regulation

I’m just leaving Japan after a day long conference sponsored in part by the Japanese National Institute of Informatics. The morning session was sponsored by Creative Commons Japan and consisted of six presentations by people using Creative Commons licenses, or in a couple cases, doing things that depend upon CC-like freedom.

Japan is one of my favorite places in the world, and I love any excuse to be here. But I had a strange deja vu as I listened to the stories of what people are doing here.

In the late 1990s, I travelled a bunch to South America to talk about cyberspace. In conference after conference, I listened to South Americans describe how they were waiting for the government to enact rules so they could begin to develop business in cyberspace. That reaction puzzled me, an American. As I explained to those who would listen, in America, business wasn’t waiting for the government to “clarify” rules. It was simply building business in cyberspace without any support from government.

Yet as I listened to the Japanese describe the stuff they were doing with content in cyberspace, I realized we (America) had become South America. One presentation in particular described an extraordinary database the NII had constructed to discover relevance in linked databases, and drive traffic across a database of texts. I was astonished by the demonstration, and thought to myself that we could never build something like this in the U.S., at least until cases like the Google Book Search case was resolved.

And bingo — the moment of recognition. We are now, as the South Americans in the 1990s, waiting for the government to clarify the rules. Investment is too uncertain; the liability too unclear. We thus wait, and fall further behind nations such as Japan, where the IP (as in copyright) bar is not so keen to stifle IP (as in the goose that …).

(Oh, and re broadband: NTT is now well on its way to rolling fiber to the home. Cost per home — between $30-50/m, for 100 megabits/s).

Posted in free culture | 9 Comments

Free Culture, streamed

The folks at xml.com, part of the O’Reilly goodness, have made a streamed version of my book, Free Culture, available. You can access it as a stream, or download it to your device.

(Thanks, David!)

Posted in free culture | 4 Comments

Indie fairness

The band Beatnik Turtle has released an “Indie Band Survival Guide” (free, as in CC). They’ve also now practiced an important virtue. A fan complained that he had purchased BT music through the new Napster. But when he stopped paying, the music went away. BT has sent the fan a free album. A lesson taught well.

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