Comments on: here’s something for variety https://archives.lessig.org/?p=2628 2002-2015 Fri, 30 Jul 2004 19:28:44 +0000 hourly 1 https://wordpress.org/?v=5.7.2 By: Paul Adair https://archives.lessig.org/?p=2628#comment-4997 Fri, 30 Jul 2004 19:28:44 +0000 http://lessig.org/blog/2004/07/heres_something_for_variety.html#comment-4997 How many of you ever produced a movie? Video-to-film transfer costs? Editing costs? Music rights costs? Talent costs
and release print costs and percentage split with theatres
and distributors, advertising, transportation, shipping, stor-
age, insurance, etc., etc., etc. Get real !!

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By: Trevor Hill https://archives.lessig.org/?p=2628#comment-4996 Mon, 19 Jul 2004 03:04:14 +0000 http://lessig.org/blog/2004/07/heres_something_for_variety.html#comment-4996 Ummm. I really wish Prof. Lessig would not allow such wacky talk to go on without giving you all some grounding in reality…

I hate to tell you, but you’re not going to re-invent the vocabulary of the law in this thread. Intellectual property means something to people who study the law, and there are a whole lot of reasons for that. It may be harsh to say this, but no one actually much cares whether you think “ideas can’t be owned,” because they can be owned.

This sort of view (changing the use of “property”) is really not going to get anyone anywhere. It’s akin to wrangling with a new and improved version of Klingon grammar on a wiki somewhere…

However much I disagree with the majority opinion here, or with RMS, all I’m trying to do right now is tell you that many of the arguments in this thread are simply too weird to be accepted by anyone actually practicing law, IMHO…

So the definition of property and intellectual property are not going to change, but maybe the boundaries of those could change if the proper arguments were put forth…

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By: Seth Finkelstein https://archives.lessig.org/?p=2628#comment-4995 Sun, 18 Jul 2004 14:16:01 +0000 http://lessig.org/blog/2004/07/heres_something_for_variety.html#comment-4995 I would disagree here:

“grants them the exclusive rights by making themselves owner of their creative works.”

I would say, to be very precise, they are owners of certain monopoly rights related to the works – copying, distribution, performance, etc.

That is, a very subtle point, they have ownership of the rights – not the works.

Regarding: “The difference between Professor Lessig and Bill Gates is only a difference in the degree of generosity.”

Well, yes, but there is less to this than meets the eye. It’s like saying “Both Lessig and Gates are capitalists”. That’s true, but the difference isn’t trivial. After all, what’s the difference between the copyright term laws of 1976 and of 2004, except one of degree?

While I agree nobody wants to be called a monopolist, I view that as a far more minor consequence as opposed to the incredible amount of knee-jerk *NOISE* which is generated by the term “property”.

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By: Joseph Pietro Riolo https://archives.lessig.org/?p=2628#comment-4994 Sat, 17 Jul 2004 15:00:17 +0000 http://lessig.org/blog/2004/07/heres_something_for_variety.html#comment-4994 Copyright is, of course, a limited monopoly over
authors’ and artists’ works. We have to ask ourselves:
How is it possible that they have limited monopoly?
The answer is simply that monopoly comes from the exclusive
right that is stated in the Constitution. Then, we have
to ask ourselves: What kind of right is it? Is it
natural right, property right, personal right, civil
right, criminal right, victim right, parental right,
make-up right, any other kind of right, or just plain
exclusive right?

Some of the rights that come with the real property
are also exclusive. I own one acre of land and I have
the exclusive right in my land. I can prevent people
from using my land. But, like copyright, my exclusive
right in my land is limited. I can’t prevent people
from having the right-of-way across my land. Now, we
have to ask ourselves: How is it possible that I have
exclusive rights in my land? The answer is ownership.
I bought one acre of land for a price and after the
transaction is completed, I obtained ownership in my
land. The ownership gives me both exclusive and
non-exclusive rights in my land.

So, we have to ask ourselves: How is it possible that
authors and artists have exclusive rights in their works?
The answer is ownership. When they create their creative
works (non-creative works do not obtain copyright), the
U.S. Government grants them the exclusive rights by making
themselves owner of their creative works.

It happens that the exclusive right in copyright is also
same as the exclusive right in real property. Therefore,
the exclusive right in copyright is a property right. This
is important because, as I stated in my previous comment,
it opposes the natural right that the authors and artists
try to inject in copyright.

Let me try other perspective. Let’s say that we should not
call copyright as a property but as a limited monopoly.
This inevitably implies that the authors and artists are
also monopolist. This means that Seth Finkelstein and
Lewis Hyde are monopolist because they own limited
monopoly in their writings. Even I am a monopolist because
I still own limited monopoly in some of my writings. So
are Professor Lessig, Linus Torvalds, Richard Stallman,
and lest we forget, Bill Gates. The difference between
Professor Lessig and Bill Gates is only a difference in
the degree of generosity. Professor Lessig is more generous
than Bill Gates but they are still monopolist nevertheless.

Because of many negative connotations that the word
“monopoly” carries, I think that none of us wants to be
called as a monopolist (monopolist is defined as a person
who has a monopoly) but that is what we are if we think
that copyright is only a limited monopoly and nothing else.

Joseph Pietro Riolo
<[email protected]>

Public domain notice: I put all of my expressions
in this comment in the public domain.

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By: Lewis Hyde https://archives.lessig.org/?p=2628#comment-4993 Fri, 16 Jul 2004 14:45:15 +0000 http://lessig.org/blog/2004/07/heres_something_for_variety.html#comment-4993 In regard to �copyright is property,� it might help to include the word �monopoly.� A property right and a monopoly right are related but distinct. A farmer who sells vegetables at a market is not the same as the person the state has given, for some reason, a monopoly on the vegetable trade.

In his recent book on the Constitution�s intellectual property clause, Edward Walterscheid writes that �antipathy toward monoploies� was well developed at the time of the Constitutional convention, adding that Thomas Jefferson �undoubtedly viewed patents as monopolies.� (Jefferson wrote to Madison that the bill of rights should provide �clearly and without the aid of sophism … for the restriction of monopolies.�)

To say �copyright is property� is true but misses, to my mind, the spirit of the Constitutional limits. Better to say “Copyright gives its owners a monopoly, but like all monopolies it is limited.” — Lewis Hyde

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By: bullsfan79 https://archives.lessig.org/?p=2628#comment-4992 Fri, 16 Jul 2004 13:37:11 +0000 http://lessig.org/blog/2004/07/heres_something_for_variety.html#comment-4992 Hey – just to interject – I just got this email from another
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Thanks!

BullsFan79

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By: Jardinero1 https://archives.lessig.org/?p=2628#comment-4991 Fri, 16 Jul 2004 13:30:14 +0000 http://lessig.org/blog/2004/07/heres_something_for_variety.html#comment-4991 Seth,
I thought some more about sec 107; tell me what you think. (1) wouldn’t you agree that this film is serving a commercial purpose for its producers?
(2) the material used wasn’t just Bill O’Reilly reading the A.P. wire. It was the uniquely bombastic, slanted, conservative Fox material. The internal memos were certainly unique to Fox.
(3) Substantiality is hard to define. Thirty minutes of Fox material in the context of thousands of hours of Fox broadcasts is not much. But the documentary could not stand by itself without the material. In that sense it is substantial.
(4) While laughable, Fox could argue that this will weaken the market for their material. I believe and I think Fox believes that the opposite is true. This documentary is beneficial to Fox, which is why they play along. Greenwald should have charged Fox for the priviledge of having their material aired in this manner, the way they charge in Hollywood to have products placed in movies.

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By: David Woycechowsky https://archives.lessig.org/?p=2628#comment-4990 Fri, 16 Jul 2004 13:01:12 +0000 http://lessig.org/blog/2004/07/heres_something_for_variety.html#comment-4990 Response to David Ball:

Regardless of the amenability of facts to any sort of “intellectual property” protection (cf, Feist (not the BSS singer)), there are plenty of prima facie grounds for Fox to bring its copyright and trademark and dilution suits.

There are the expressions on Bill O’Reilly’s handsome face, there is the backdrop which so nicely complements O’Reilly’s creamy skin tone, there is the pattern of lipstick upon his lips. There may even be a strand of “expression” in his series of words, pauses, gestures and inflections.

Clarification: I am not saying that Fox is correct, rather Greenwald is for the reasons set forth by Prof. Lessig. I am just saying that there is a virtual infinitude of protectible subject matter, even in something as straightforward as a TV political commentary show. Also, when I say that Fox has prima facie grounds, I am not trying to say that they have a Rule 11 sufficient basis for any law suits (I have no comment on that issue).

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By: Seth Finkelstein https://archives.lessig.org/?p=2628#comment-4989 Thu, 15 Jul 2004 19:16:49 +0000 http://lessig.org/blog/2004/07/heres_something_for_variety.html#comment-4989 I’d say those are esoteric. The core argument here is on the standard four factor test, and the only problematic one is the “amount” determination.

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By: Jardinero1 https://archives.lessig.org/?p=2628#comment-4988 Thu, 15 Jul 2004 18:24:45 +0000 http://lessig.org/blog/2004/07/heres_something_for_variety.html#comment-4988 Seth,
Thanks. I looked at 110(4)(a)(b) and 106A(a)(2)(3). Are they relevant?

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