where I came from

This story made me homesick. Lewisburg is about 30 miles from where I grew up — Williamsport. The owner of a theatre there has invited card-carrying Republicans to see Fahrenheit 9/11 for free — not because he thinks it a great movie (“both a fantastic film and a fantastically flawed film”), but because he thinks it important that people see it. That led the GOP county chairman from a neighboring county to call the owner and congratulate him — not because he thought the film a great film (“intellectually dishonest as a documentary”), but because he wants to “encourage local Republicans to see the film so they can participate in an informed debate.”

Posted in heroes | 9 Comments

here’s something for variety

Thanks to the folks at Variety, this is a pdf of my op-ed about Outfoxed, that ran in Variety. Text in the extended entry.

Fair Use or “Fair and Balanced”
Lawrence Lessig
Variety, July 14, 2004

Robert Greenwald’s latest film, “Outfoxed,” is a political documentary about Republican bias at Fox News. It is also, as the New York Times Sunday Magazine dubbed it, a “guerrilla documentary.”

In addition to interviews with former Fox employees, academic studies evaluating the “Fox effect” and internal Fox memos, Greenwald has used significant number of clips from Fox News to show the bias that the slogan “fair and balanced” belies.

He had no permission to use those clips.

Fox has called Greenwald’s use stealing. It has warned other networks that if they exploit his “illegal copyright infringement,” those networks will open themselves up to similar criticism — presumably by Fox. And its legal department has complained that it was not given enough time to respond to questions the New York Times raised about the doc — and that the Times was therefore a co-conspirator in this copyright infringement.

If Greenwald’s use of Fox’s content is “fair use” — as we believe it plainly is — then it is no more “stealing” than walking across a sidewalk in front of a neighbor’s home is trespassing on the neighbor’s property.

Copyright is property, but like all property, the rights it grants are limited. “Fair use” is one such limit, constitutionally compelled, giving critics such as Greenwald the right to use a limited amount of copyrighted material without asking permission first.

Democracy depends upon such criticism — especially as the owners of our culture become fewer in number, and the power they exercise, because of media concentration, increases.

Fox claims it is “fair and balanced.” Is it?

Bill O’Reilly promised Fox viewers that he would report the news of the war “without an agenda or any ideological prejudice.” Did he?

These are important questions at any time, but especially now, as the answers so dramatically affect current public policy. And they can be answered effectively only with a work that can use the images that created the bias alleged.

Journalists should encourage such criticism. If news networks are not as they say they are, then journalists and critics should be able to show it. If Greenwald’s argument is wrong, then let another filmmaker contradict it. Or if ABC is just as bad, then let ABC be outed, too.

Yet that thought no doubt terrifies not just Fox, but every one of the (handful of) networks that now control our airways — which is why Fox’s first response to the Greenwald film was to warn other networks not to take it seriously, or risk “opening (themselves) to having (their) copyrighted material taken out of context for partisan reasons.”

Fox and others will insist that any use of their copyrighted material is “theft”; they will rally to fight this “theft” in order to protect themselves from this unwanted criticism.

Let’s hope reason leads these network owners to allow this rally to fizzle.

For “fair use” is grounded in First Amendment principles. Among those principles is one that is central to news organizations generally: New York Times vs. Sullivan.

In that case, the Supreme Court held reporters are immunized in most cases from libel actions. A “profound national commitment to the principle that debate on public issues should be uninhibited, robust and wide-open” meant that even erroneous statements must be protected so long as the error was not knowingly made.

The same principle should guide “fair use” in the context of a film criticizing a news organization. If the reputation of public figures must be sacrificed so that news organizations have the “breathing space that they need to survive,” then the scope of fair use should be interpreted to assure that critics of news organizations have the breathing space they need to survive, too.

A commitment to these free-speech values is a commitment to fighting wars of ideas with more speech, and fewer lawsuits.

It is as shameful for Fox to sue Al Franken for using “fair and balanced” as it is for Michael Moore to threaten to sue his critics for defamation. We need more debate in America, not less. And we will get more critical and insightful debate if filmmakers like Greenwald can do their work without the law requiring that lawyers look over his editor’s shoulder.

Fox News is a network. It has the privilege of 24/7 access to most American citizens. If it believes it has been wronged by Greenwald’s film, then let it match his criticism with criticism of its own — through its journalists, not its lawyers.

And as to whether three days was enough time for Fox’s legal department to respond to a question from the New York Times, come on. If its legal department can’t muster a response to a simple question in three days, I’d be happy to advise Fox where it might find faster, more efficient lawyers.

Lawrence Lessig is a professor of law at Stanford Law School and author of
the book “Free Culture” (Penguin Press, 2004). He is advising Robert Greenwald.

Posted in free culture | 24 Comments

SAVE THE DATE!

Creative Commons will be hosting a book party to celebrate Dan Gillmor’s new book, We the Media, which (the good) O’Reilly is publishing, and which will also be available under a Creative Commons license. (They never got around to having a book party for my book. Oh well. They’re busy.) The date is July 30, in the evening. More details soon.

Posted in free culture | 6 Comments

cc-info

CC’s got a great new newsletter that you can subscribe to here.

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outfoxed

So the New York Times ran a magazine piece about Robert Greenwald‘s latest political documentary, OutFOXed. Stanford’s CIS and the great folks at Fenwick & West have been advising Greenwald (pro bono) about how best to exercise his fair use rights in making this critique of FOX News.

This clip gives you a sense of the issues we faced. And so you’ll see how relieved I was to read Dianna Brandi’s (VP for legal affairs at FOX) comment in the Washington Post: “People steal our footage all the time…. We generally sort of look the other way.”

I take it she’s referring to the fair use by others of FOX’s footage, and if so, then bravo FOX. Fair use, of course, is not stealing, even though lawyers who know better like to use that false description as often as they can. (But if she really means FOX footage is being stolen, then that’s awful. Get better locks, Fox.)

I actually knew nothing about FOX News before working on this film — not much time for network news, and I had only ever heard Bill O’Reilly once, on Fresh Air. And while I came to the project with low expectations about any news network, I was still astonished. As you’ll see when you buy the DVD or host a MoveOn.org house party, there’s a lot to be amazed at. The most powerful is an amazingly unFAIR and unBALANCED clip with Jeremy Glick and Bill O’Reilly. Not unlike (but much worse than) the exchange Georgetown Professor David Cole described. (Washington Post).

As the Times article describes, Greenwald’s style for distributing documentaries may be the beginning of something new — political criticism, using interviews and clips, making a strong political point, distributed through DVDs and political action groups. (See some other examples here). On what theory does he, and others, have the right to use such material without permission? On the free culture theory we call the First Amendment: Copyright law must, the Court told us in Eldred, embed “fair use”; “fair use” is informed by First Amendment values; the values of the First Amendment most relevant here are those expressed in New York Times v. Sullivan. As with news-gathering, critical political filmmaking needs a buffer zone of protection against the overreaching of the law. And if the potential of this medium — now liberated by digital technology — is to be realized, we need clear precedents that establish that critics have the freedom to criticize without having to hire a lawyer first.

Watch the movie. Celebrate the freedom it represents. It is a particularly American freedom that we should celebrate and practice more often.

Posted in good code | 39 Comments

what the web was for

Thanks to the American Museum of the Moving Image, Presidential campaign television commercials throughout history.

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the what hatch doesn’t get list

Ernie’s beginning a list.

Posted in bad law | 6 Comments

continuing congressional confusion on copyrights (ie, not just (c), or (cc), or even (ccc) but (cccc))

Word has it that the regulators in Washington are enamored of Professor (in the School of Computing) Hollaar’s recent paper, Sony Revisited, and that it is in part responsible for Congress’ current infatuation with the Induce Act. Professor Hollaar is a smart guy, and his paper is an interesting and well-researched examination of secondary liability in the context of copyright law. But if Congress thinks this justifies the Induce Act, then there is some deep confusion somewhere. I suspect there are two possible sources for this confusion.

(1) Hollaar discusses the scope of “inducement” liability in the context of patent law. There are some in Congress who seem to think that the Induce Act “merely” carries the same idea to copyright law. This is just a mistake. The scope of the Induce Act as written is far broader than the scope of inducing patent infringement as interpreted. And if “all” Congress wants to do is extend patent inducement to copyright law, then it should amendment the Induce Act to state precisely that. That would be a vast improvement over the existing proposal — not enough to justify it in my mind, but it would make the harm it will cause much much less significant.

(2) Hollaar discusses the purpose and meaning of the Sony case. While his discussion is technically correct enough (though the idea that copyright is the right to protect a “business model” is really not right at all), imho, the Professor, and in turn, the supporters of the Induce Act, are really missing the point of Sony.

As everybody knows, Sony set the rule that when a new technology has the “potential” to support “substantial noninfringing use” of copyrighted material, the maker of the technology would not face secondary liability for copyright infringement.

But what no one (in Washington, at least) seems to understand is why Sony set that standard. It was not because the Supreme Court is filled with copyright infringers who wanted to encourage copyright infringement. It was instead because the Supreme Court was filled with judges not eager to engage in the complex balancing required to judge whether a technology creates more benefit than harm. As the Court stated:

Sound policy, as well as history, supports our consistent deference to Congress when major technological innovations alter the market for copyrighted materials. Congress has the constitutional authority and the institutional ability to accommodate fully the varied permutations of competing interests that are inevitably implicated by such new technology.

This is not an opinion about copyright law alone. It is an opinion about separation of powers — about which branch is best able to do the necessary balancing that copyright law demands, “within the limits of the constitutional grant.” Sony says, in effect, when a technology is not simply a technology for violating the law, then it is left to Congress to decide whether and how that technology is to be regulated. Congress, not the courts.

Why is that a great idea? Because (isn’t this obvious to Republicans?) courts are awful, expensive, and slow institutions for judging the economic effect of new technology. Soviet planners with better lighting. And rather than bury innovators in years of litigation before their innovation gets to market, the Sony rule says: let the innovation go, if there is a potential for a substantial noninfringing use, and if Congress wants to regulate it more, then let Congress weigh the benefits of the technology against its costs.

Ignoring this extremely sensible separation of powers principle has already cost Silicon Valley dearly. See, e.g., ReplayTV. ReplayTV is the digital equivalent of the VCR. It does the job more efficiently, and it promised to do some things the VCR couldn’t do, too. But under the principle of Sony (innovate first, regulate later), it should plainly have been allowed into the market without intervention by the courts. Yet precisely the opposite happened. Content owners sued ReplayTV. It was dragged into federal litigation for many many months defending its new technology. And before the case could be resolved, the company effectively declared bankruptcy.

Is this the future Senators Hatch and Leahy want for all new technologies that impact copyrighted material? Will every Apple be forced to defend its innovation in a federal court? Will federal judges become the arbiters of good technology? Will technology firms be forced to spend more on lawyers than on R&D?

Whatever the lobbyists say about this bill, this is the single most important fact that we should not forget: It is a lawyer employment act. It will force technologists into court before they get to enter the market place. It will shift responsibility for striking the balance in copyright law from Congress to unelected federal judges.

That’s not a bad thing for me, or my kind. I, after all, think the courts have some role here (in setting the limits of copyright), and I, after all, make lawyers for a living. But for an already overregulated Silicon Valley, it is another nail in the coffin by the regulating-obsessed in Washington.

Posted in bad law | 27 Comments

blame where blame is due

Last month I wrote about the DRM-encumbered Constitution. Note, this is not really Microsoft’s doing — they just build the bombs, others choose to use them. But a bunch have sent links to free Constitutions. Here’s one for the iPod created by the American Constitution Society.

Posted in bad code | 3 Comments

fantastic news

Bravo, Senator. Edwards is a brilliant choice.

Posted in presidential politics | 17 Comments